Monday, December 28, 2009

Epiphone neck repairs...



Well Christmas has come and gone and we are finally getting to work on the Epiphone.

We have cleaned the shop, reorganized the basses, added Lonnie some creature comforts (for Lonnie and the basses) and we are ready to get working! Lonnie is working on getting the broken part of the neck out of the neck block. It is giving him a challenge as the old repair was not made with hide glue but rather some form of an epoxy. This means the glue is not softening with warm water like hide glue does making removing the neck more time consuming.



He will repair the broken neck from the bottom up once he gets both pieces removed. Typically when he resets the neck is requires some very thin shims be made to take up any wobble that has formed over the years. When the neck repair has been completed he will move on the scroll repair…which will be a challenge. Stay tuned and I’ll keep the updates coming.

Thursday, December 24, 2009

Merry Christmas

THE NIGHT BEFORE CHRISTMAS
at the Bass Monkey Workshop

'Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The tailpieces and end pins were lined up by the chimney with care,
In hopes that St. Nicholas soon would be there;
upright basses were nestled all snug in their stands,
While visions of new strings danced in their heads;
And Wendy in her 'kerchief, and Lonnie in his fedora,
Had just settled down for a long winter's nap,
When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow
Gave the lustre of mid-day to objects below,
what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,
With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name;
"Now, Dasher!
now, Dancer!
now,
Prancer and Vixen!
On, Comet! on Cupid! on,
Donder and Blitzen!
To the top of the porch!
to the top of the wall!
Now dash away!
dash away!
dash away all!"
As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of new strings, bridges and endpins, and St. Nicholas too.
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of bass goodies he had flung on his back,
And he looked like a peddler just opening his pack.
His eyes -- how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;
He had a broad face and a little round belly,
That shook, when he laughed like a bowlful of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head,
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, as he drove out of sight,
"Happy Christmas to all, and to all a musical good-night."

Sunday, November 29, 2009

Epiphone B-4 # 1454

And we are onto the next project…Epiphone B-4 # 1454. This one will be a challenge for sure!



This bass came to us from the west coast for a neck repair but there is a bit more to the story. The scroll took a hard “whack” at one time and the previous repair is now failing. We will need to repair the scroll and peg box to make it solid. The neck break is the lesser of the two repairs.




We have just started on this bass so come back and see how we make progress. Lonnie is still in the thinking and problem solving mode.



More to come…


The final chapter on the 1942 Kay S-9

Well it is time to write the closing chapter on Martha’s restoration.



Lonnie got into a groove and this bass came together pretty fast. On Thanksgiving morning (a non-work day) Lonnie was up at 6:00 am working on the final set up. He had in his head he wanted the bass ready for our Friday night jam and nothing was standing in his way…not evening Thanksgiving dinner. We ran right to the wire, by mid day Friday Martha was a thumping gal. And true to form, the Velvet Garbo’s did not work well on this bass. I don’t like the “boing-boing” sound from the Garbo’s. They did not make the 1950 AS bass sound good and the same sound came from Martha…so it must be the strings and not the bass. We chose a string combination I had in reserve for a special bass, a Gamut gut G & D and a Thomastik steel Dominant A & E. I like this combo on this bass.



I played it Friday night and also had another bass player play it for an hour while we listen…sounded really loud in a large jam. When the bass player handed Martha back he said “you did it again…this is ANOTHER good one!” We love to hear that, it made Lonnie smile. The extra effort was worth it. He spent a good deal of time on repairing the edges, which was one of the first things the other player commented about. The bass really looks good for it age, it had a caring owner for a long time before it came into our hands. So Martha is now completed and living along side by side with all the other basses.



The Kay S-9 is a nice sister bass to my Kay M-4…basically the same bass but renamed M-4 to S-9 in 1940. A nice pair to have and compare.



On to the next project...don't blink...it has already started!!!





Wednesday, November 25, 2009

1942 Kay S-9...

The Kay S-9 bass is coming along better then expected! Lonnie has cleaned up the edges really nice; he made all the edge chipping disappeared. When the bass is completed it will be difficult to see the edge repairs…very cool. The fingerboard is original and the ebony is of good quality. He scraped it clean, put scoop in it and filled in the bolt holes at the end of the fingerboard. It looks really fresh and ready for a light oil rub down.



The new end pin installation is putting up a bit of a struggle. Lonnie cut off the huge fixed wooden dowel that was used for an end pin while the back of the bass was removed. The hole is too large for the new USLA ebony end pin, so he is using the extra wood to make the diameter of the opening smaller. A light turn with his tapered end pin reamer and it should fit better then new. Lonnie just purchased some vintage German tapered reamers; he now has three sizes and can accommodate most any size end pin.



If he keeps this pace on this bass over the holiday, I expect to be thumping it by early December. My choice for strings on this bass will be a full set of Velvet Garbo’s, if the bass does not respond with that string we will move onto gut or Spiro’s. The bass sounded pretty darn good with a dead set of steel strings. I expect with a fresh set up, new strings and tight fitting back this baby should sing.



Stay tuned…

Sunday, November 22, 2009

1942 Kay S-9...

The bass is glued up and feels good and solid. Lonnie made good progress today repairing all the edges. A Kay S-9 has real factory inlaid purfling, which looks really nice but it causes the edges to chip more quickly then a non-purfed edge. This bass had some chipping around the edges mostly on the bottom back and the at the violin corners. Lonnie has come up with a real nice technique that works well to fill in the missing pieces with out removing any original wood. In most cases once he has made the repairs and completes the color touch up you can not see the repaired edges. This is the best way we have found to make a vintage bass look original as it can be.






The original ebony fingerboard is in good shape and only needs a light dressing. The end of the board needs a repair as there was a 1950’s style pick up mounted through the fingerboard with nuts and bolts. Lonnie will fill the hole with an ebony paste and sand it down. It will look as good as new when it is all finished.



He is making good progress and hopes to be working on the set up by the weekend. I’ll be playing this one sooner then I thought.

Happy Thanksgiving!

Monday, November 16, 2009

On to the dry fit...



The repairs to the inside are completed and Lonnie has begun to dry fit and then later glue the back…zipping it all up so to speak. The dry fit is a tug of war between the body and the back of the bass. Because the bass sides become flexible when the back it is off the dry fit is a necessary process before he begins to use any hide glue. As soon as the bass is all glued up we can flip it over and start on the next steps.



Once again…how many clamps does one bass need?