When we left off Lonnie was working on his 1976 Stelling banjo…and he is STILL working on his 1976 Stelling banjo (his first banjo). We have had lots of musical interruptions and distractions but it has been GOOD musical interruptions and distractions.
The Stelling banjo, so far Lonnie has tried the frosted Weather King Head purchased directly from Stelling. That was okay but he wanted to hear more tone and volume. So he purchased another lighter weight, thinner frosted banjo head (no name brand). That experiment did not go well as he pushed the tension too far and fractured the banjo head…It did not blow up the head…but put a slight crack in it at the rim that caused the tone of the banjo to sound like “boing-boing”. He thought he would try a Five Star banjo head as he really likes the one on his Stanleytone banjo. While he was waiting for the Five Star head to arrive (idle time is a bad thing, too much time to think) from Stu-Mac he put the new banjo head from Stelling back on to give it another try. For some unknown reason the second time was a charm. This time the banjo sounded awesome with the Stelling head AND a new Bart Veerman bridge made it come to life.
|The order information that came with the banjo bridge|
|Installed and ready to go...signed by Bart... just like a piece of artwork|
|Ready for a test drive|
More about the Veerman bridges: First, Bart Veerman is a wonderful and nice person who is great to communicate and work with. Lonnie has had great success with his previous purchase of a Veerman Archie red dot bridge for a Stanleytone he set up for a friend. That Stanleytone #25 banjo loved the
Here is a link to the Bart Veerman website: http://www.banjobridge.com/
Lonnie was working on the Stelling most of the afternoon Saturday, when he got it assembled and new strings installed…WOW! Right from the very first note he had found the combination. The banjo is bright, loud and rings clear as a bell. I think he surprised himself. We had plans for the evening so the banjo head settled in overnight. In the morning the head tension was holding at 93 on the drum dial…sweet!
We had an afternoon jam to attend on Sunday at the Gatchellville Store in
Since Lonnie was pleased with the tone of the Stelling there was no reason to
wait for its re-début. A couple of quick banjo case changes, a double
check for the tuner, picks and capo and out the door we went. A fresh set
up on an old banjo that felt like a new banjo once again. New Park, PA.
Lonnie played his Stelling softly the entire afternoon just to make sure all was okay. Sure enough the banjo felt and sounded great. He is very pleased with the tone, the new
and the over all familiar feel of this old friend, his first banjo. The
neck is true and plays clean the whole way up the neck, no sharp
As fate would have it…and things just keep coming full circle for us…who shows up at the jam? None other then Chris Warner the owner of the string shop (closed his shop many years ago) in
where the Stelling Bellflower
was first purchased in 1977. Now Lonnie being the modest person that he
is did not say anything to Chris but took great delight in playing his Stelling
banjo in Chris’s presence knowing it was another “full circle” moment.
Pretty darn cool. Hanover,
The jam was great; the Stelling banjo sounded great and has met all Lonnie’s expectations. And I can now say I have had the opportunity to play bass (my 1941 Epiphone B5 named Ruben) with another great banjo player…Chris Warner. I tell ya... I have had a run on picking with some great players here of late. Hope that streak continues.