The 1949 Kay S-9 bass is completed, waiting for her trip to
and the IBMA’s. If you see this pretty gal ask to give her a
|Waiting for her ride to Nashville|
|All finished and looking good. See the new leather bumpers added to the G side bouts|
|Beautiful quilted maple back and sides|
|The real inlaid purfling and bound FF holes are the signature elements of a Kay Swingmaster|
She has a new end pin, tail gut, Zyex strings and cosmetic TLC that makes her sound and look great. This bass is in excellent condition with its beautiful flamed maple back. The new Zyex strings made her a bit more dark and thumpie. I being a gut string player the tension was stiffer but I got used to it quickly. I do feel these strings need some time to settle in; they felt a bit stiff and zingy. With a few hours play time they began to come around, it felt like the bass began to open up and sing. Hopefully she gets some serious playing time at the IBMA’s and she will come home tired and her strings broken in.
With this project behind us we are looking towards the next project. I asked Lonnie to choose what bass inspires him…a 1941 Epiphone B-2 with a crushed top. He wants to see if he can rebuild the top and make the bass playable again. If the top can not be saved we have a second 1941 Epiphone B-2 as a donor bass. We would much rather save both basses but one playable bass is better then two broken basses. The Epiphone B-2’s are very rare we want to try and save both basses.
Stay tuned…there is always a story behind the story.