Well, here we are the last Sunday of January…whew. What a month of cold, cold weather. We have not had a winter like this one for quite some time. Keeping the snow and ice at bay, keeping the cars warm and running, keeping the heat on have all been a challenge…and Spring is weeks away.
The last update in the workshop was Frixo, the 1940 Epiphone B3. I have been playing this bass regularly since Lonnie finished it a month or so ago. What a great bass with a warm complex tone. This bass is so well preserved; in such great condition, everyone is amazed that it is a 1940. I can absolutely say the bass is waking up and the volume and tone is getting stronger with every jam.
I had some one asked if the bass was carved, it has that big of a sound to it…nope…it is a plywood bass. A very well built plywood bass. The neck is solid and more meaty then some of my other Epi’s. The original rosewood fingerboard feels thick like it had never been scraped or dressed. I really do think this bass sat unplayed for decades for it to be in this great of surviving condition.
The set up on this bass is lower then my normal, aggressive, dig in bluegrass playing style but I have certainly adapted to it. It takes very little efforts to play and a great bass to walk and throw in good passing notes. This bass is destine to end up in the hands of a jazz player, someone who can really appreciate great tone and great low set up.
As soon as the weather breaks and we can get a full slide show completed I’ll post the finished pictures. I am on the fence about keeping this one in the Epiphone collection because of its rarity or passing it along to a great player that can make some awesome music with him. He is the lowest Epiphone production B3 model on record and by far the best example I have seen for excellent surviving condition. There is not a finer B3 in the Epiphone database then this bass.
Stay warm and let’s hope spring makes and early arrival!